"Come out of the garden, baby; you'll catch your death in the fog."
From George's Life Soundtrack --
- "The Tango" by Marc Shaiman [1993]
I was briefly obsessed with the Addams Family in 1993. I hadn't really given much concern to them when their first film came out, byt the sequel was different. I became very fascinated with them, inadvertendly (but obviously) ripping them off with a story about a bizarre family under the name Normal (which, actually, probably was more blatantly stealing from the Munsters). This was also around the time I became interested in movie reviews, and would clip them out of the New York Times, or the Star-Ledger, or any newspaper available. I would scrapbook them.
I owned the novelization to Addams Family Values, and before I ever saw the movie, I was reading it to Joyce over the course of maybe a week. It was decidely a little naughty (I don't think I'd openly read dialogues with the word 'sex' before), but I loved the characters (and definately the females: Joan Cusack's Debbie, Christina Ricci's Wednesday, Anjelica Huston's Morticia, and Carol Kane's Granny -- all played by actresses that I later came to adore) and waited impatiently for the actual film. I still love the movie (and recently acquired it on DVD for Christmas, from Willow) and the tango sequence in particular was one of my favourite moments. I loved the music in that film.
- Poison Ivy's Entrance by Elliot Goldenthal [1997]
Another noteworthy score was that of Batman and Robin... The film tanked, the actors never admitted to doing it again, and the franchise has never recovered (it has yet to be given a chance again), but I was enthused. I get very excited very quickly when it comes to these glitzy movies because I'm a pop culture whore, but I was already a huge Batman fan by the time this came out.
Despite what you - or I - could say about the actual quality of the film... Oh, alright, let's get it out my system:
1. George Clooney is a horrible Batman.
2. Mr. Freeze cannot sustain an entire film. Arnold Schwarzenegger cannot sustain an entire scene.
3. Uma Thurman's better off playing cocaine-addicted mob girlfriends -- although, true to form, she looks amazing in her outfits, and that red hair.
4. Alicia Silverstone: you're better than this. Flee.
5. Everything seemed potentially saveable if it weren't for the "and Robin" part...
6. Make the speaking stop. Shoot the scriptwriters. All twenty-six of them.
7. To Warner Bros.: if the only thing that reviewers are calling your film is "eye candy," it's time to admit it's not a compliment but a slap in the face.
Ok, that was fun! I saw the movie twice in theatres (once with subtitles in Costa Rica!), and bought it on VHS as soon as it came out. The one part that is severely depleted on my copy is the oft-rewinded Poison Ivy entrance... The music in that is gorgeous, and I watched it quite a lot unabashedly. And yes, years before I wanted to be Velma Kelly, I was wishing I was Poison Ivy.
The soundtrack is all but non-existent... Only on some websites can I see that it was even pressed, and I'm not sure what the hell it's actually called.
- "The Tango" by Marc Shaiman [1993]
I was briefly obsessed with the Addams Family in 1993. I hadn't really given much concern to them when their first film came out, byt the sequel was different. I became very fascinated with them, inadvertendly (but obviously) ripping them off with a story about a bizarre family under the name Normal (which, actually, probably was more blatantly stealing from the Munsters). This was also around the time I became interested in movie reviews, and would clip them out of the New York Times, or the Star-Ledger, or any newspaper available. I would scrapbook them.
I owned the novelization to Addams Family Values, and before I ever saw the movie, I was reading it to Joyce over the course of maybe a week. It was decidely a little naughty (I don't think I'd openly read dialogues with the word 'sex' before), but I loved the characters (and definately the females: Joan Cusack's Debbie, Christina Ricci's Wednesday, Anjelica Huston's Morticia, and Carol Kane's Granny -- all played by actresses that I later came to adore) and waited impatiently for the actual film. I still love the movie (and recently acquired it on DVD for Christmas, from Willow) and the tango sequence in particular was one of my favourite moments. I loved the music in that film.
- Poison Ivy's Entrance by Elliot Goldenthal [1997]
Another noteworthy score was that of Batman and Robin... The film tanked, the actors never admitted to doing it again, and the franchise has never recovered (it has yet to be given a chance again), but I was enthused. I get very excited very quickly when it comes to these glitzy movies because I'm a pop culture whore, but I was already a huge Batman fan by the time this came out.
Despite what you - or I - could say about the actual quality of the film... Oh, alright, let's get it out my system:
1. George Clooney is a horrible Batman.
2. Mr. Freeze cannot sustain an entire film. Arnold Schwarzenegger cannot sustain an entire scene.
3. Uma Thurman's better off playing cocaine-addicted mob girlfriends -- although, true to form, she looks amazing in her outfits, and that red hair.
4. Alicia Silverstone: you're better than this. Flee.
5. Everything seemed potentially saveable if it weren't for the "and Robin" part...
6. Make the speaking stop. Shoot the scriptwriters. All twenty-six of them.
7. To Warner Bros.: if the only thing that reviewers are calling your film is "eye candy," it's time to admit it's not a compliment but a slap in the face.
Ok, that was fun! I saw the movie twice in theatres (once with subtitles in Costa Rica!), and bought it on VHS as soon as it came out. The one part that is severely depleted on my copy is the oft-rewinded Poison Ivy entrance... The music in that is gorgeous, and I watched it quite a lot unabashedly. And yes, years before I wanted to be Velma Kelly, I was wishing I was Poison Ivy.
The soundtrack is all but non-existent... Only on some websites can I see that it was even pressed, and I'm not sure what the hell it's actually called.
nostalgic
rushed