"I can never relax."
Dil: I'm loud, darling, but never cheap.
- The Crying Game</font>
I finished watching The Crying Game on Showtime. I always forget how much I really like that movie.
Knowing full well what the big 'don't-tell' secret of the film is, it really goes beyond that. Past the Psycho shower scene, there's an entire film... And the same is with this movie. A lot of people who've never seen it will probably think it ends with that revelation. But it doesn't; there are actually three distinct chapters, the first and last deeply political (IRA/Britain) and the second that of an awkward love story.
I saw it a few years ago at my Dad's. It came out and 1992 and my sister Sharon thought she ruined the ending for me by telling me what everyone was pretending was common knowledge. It's the Keyzer Soze / Rosebud concept... You tell them all who's the killer in the Scream mask 'cause when you're a teenager it's cool to know first and ruin it for your friends. I don't know why. But I used to - and sometimes still - do it, too. These day, though, Matt usually asks me to if he honestly doesn't care to watch the actual film.
But I went in there knowing... and still shocked through my skin. There was more to it. It's really a brilliant, uncomfortable movie. You can't watch that and feel comfortable... there's such tension between each frame. But it's brilliant all the same. And I know virtually nothing about Irish politics, and it's still effective.
I adore Miranda Richardson. As sap-like The Evening Star is, I love Miranda Richardson in it. I love her in Sleepy Hollow, too.
And of course, the beautiful Jaye Davidson, who hasn't had a hit since Stargate, but always manages to score a crossword puzzle down/across.
- The Crying Game</font>
I finished watching The Crying Game on Showtime. I always forget how much I really like that movie.
Knowing full well what the big 'don't-tell' secret of the film is, it really goes beyond that. Past the Psycho shower scene, there's an entire film... And the same is with this movie. A lot of people who've never seen it will probably think it ends with that revelation. But it doesn't; there are actually three distinct chapters, the first and last deeply political (IRA/Britain) and the second that of an awkward love story.
I saw it a few years ago at my Dad's. It came out and 1992 and my sister Sharon thought she ruined the ending for me by telling me what everyone was pretending was common knowledge. It's the Keyzer Soze / Rosebud concept... You tell them all who's the killer in the Scream mask 'cause when you're a teenager it's cool to know first and ruin it for your friends. I don't know why. But I used to - and sometimes still - do it, too. These day, though, Matt usually asks me to if he honestly doesn't care to watch the actual film.
But I went in there knowing... and still shocked through my skin. There was more to it. It's really a brilliant, uncomfortable movie. You can't watch that and feel comfortable... there's such tension between each frame. But it's brilliant all the same. And I know virtually nothing about Irish politics, and it's still effective.
I adore Miranda Richardson. As sap-like The Evening Star is, I love Miranda Richardson in it. I love her in Sleepy Hollow, too.
And of course, the beautiful Jaye Davidson, who hasn't had a hit since Stargate, but always manages to score a crossword puzzle down/across.
impressed
perplexed
sleepy